Wood's cries: but, regardless of this, he darted along a passage, gained the shop, and passed through an open door into the street. But in between these wider phases of comparative confidence were gaps of disconcerting doubt, when the universe was presented as making sinister and threatening faces at her, defying her to defy, preparing a humiliating and shameful overthrow. “Well, you have thought it over?” he said, sitting down beside her. On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism.
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