She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. One can't help being jealous, you know, even of an unworthy object. ”) They had shown themselves grossly ignorant of facts. I can’t love you. It ceased to be the symbol of liberty and a remote and quite abstracted person, and became suddenly and very disagreeably the token of a large and portentous body visible and tangible.
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