Why would Shari tell Michelle or anyone outside the family a name? Why would Michelle ask? In 1965, Sheila McCloskey loved to watch two subjects in particular with binoculars: birds and neighbors. It was still so dark, that nothing could be distinguished except the heavy masses of timber by which the premises were surrounded; but as they advanced, lights were visible in some of the windows. Voilà tout, as Melusine herself would say. Her eyes were soft and blue, arched over by dark brows, and fringed by long silken lashes. And neither had any of that theatricality which demands gestures and facial expression.
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