He was always drawing contrasts between a woman’s lot and a man’s, and treating her as a wonderful new departure in this comparison. As to his mother, I've no pity for her. ‘Can you not open it?’ she cried. But at the beginning of the affray, when he thought every one was too much occupied with his own concerns to remark his absence, he slipped out of the room, not for the purpose of avoiding the engagement (for cowardice was not one of his failings), but because he had another object in view. ‘You had better kill me, mademoiselle, because otherwise I shall end by strangling you.
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