In Darrell's open features, frankness and honour were written in legible characters; while, in Jack's physiognomy, cunning and knavery were as strongly imprinted. Pragmar, the wholesale druggist, who lived three gardens away, and who had been mowing his lawn to get an appetite for dinner, standing in a fascinated attitude beside the forgotten lawn-mower and watching her intently. She found herself in a phase of violent reaction against the suffrage movement, a phase greatly promoted by one of those unreasonable objections people of Ann Veronica’s temperament take at times—to the girl in the next cell to her own. McClintock's astonishment merged into a state of mild hypnosis. “So is Mr. Ann Veronica loved beautiful things, and the beauty of undraped loveliness not least among them; but these were pictures that did but insist coarsely upon the roundness of women’s bodies.
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