The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. There's nothing so sad in this world as an old fool," she added. “And what is it all about, Veronica?” he asked, with a deliberate note of irony, looking at her a little quizzically over his glasses.
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