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For a big-bellied glass is the palette I use, And the choicest of wine is my colour; And I find that my nose takes the mellowest hues The fuller I fill it—the fuller! IV. They are arbitrary and unjust and dogmatic and brutish and lustful. A solemn consideration, when I enter a great city at night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it!' … It kind of terrifies me," said Ruth, looking up, first at the face of her husband, then at McClintock's. The ripple of the water against the boat, as its keel cleaves through the stream—the darkling current hurrying by—the indistinctly-seen craft, of all forms and all sizes, hovering around, and making their way in ghostlike silence, or warning each other of their approach by cries, that, heard from afar, have something doleful in their note—the solemn shadows cast by the bridges—the deeper gloom of the echoing arches—the lights glimmering from the banks—the red reflection thrown upon the waves by a fire kindled on some stationary barge—the tall and fantastic shapes of the houses, as discerned through the obscurity;—these, and other sights and sounds of the same character, give a sombre colour to the thoughts of one who may choose to indulge in meditation at such a time and in such a place.
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This video was uploaded to waterscolumns.info on 21-09-2024 08:20:35
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