Watch: 4huf79

To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video

‘I know what it means, numbskull! Didn’t spend years in the confounded country without picking up some of their infernal tongue. . "Ah! Quilt Arnold, my man, is it you? By the powers! I'm glad to see you. And you, Austin; and you Langley, I say the same thing to you. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. She began by being interested in his demonstrations and his biological theory, then she was attracted by his character, and then, in a manner, she fell in love with his mind. “Just leave them with me for now, Clotilde. Wild," implored the turnkeys.

Video ID: TW96aWxsYS81LjAgQXBwbGVXZWJLaXQvNTM3LjM2IChLSFRNTCwgbGlrZSBHZWNrbzsgY29tcGF0aWJsZTsgQ2xhdWRlQm90LzEuMDsgK2NsYXVkZWJvdEBhbnRocm9waWMuY29tKSAtIDMuMTI4LjE5OS4xMzggLSAyNC0wOS0yMDI0IDA4OjE1OjQ1IC0gNjcwMzM3NjE5

This video was uploaded to waterscolumns.info on 22-09-2024 02:34:46

Related resources: Ref1 - Ref2 - Ref3 - Ref4 - Ref5 - Ref6 - Ref7 - Ref8 - Ref9 - Ref10 - Ref11 - Ref12 - Ref13 - Ref14