On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. And the woman who showed this room was tall, with an understanding eye and the quiet manner of the well-trained servant. She knew blood was rushing to his face and other places as well.
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