But Miss Miniver was highly unsatisfactory. From a scout stationed at the northern entrance, whom she addressed in the jargon of the place, with which long usage had formerly rendered her familiar, she ascertained that Blueskin, accompanied by a youth, whom she knew by the description must be her son, had arrived there about three hours before, and had proceeded to the Cross Shovels. She was perfectly aware that the boy had gotten some sort of bug in his craw over her despite her sloppy, strange appearance. The ripple of the water against the boat, as its keel cleaves through the stream—the darkling current hurrying by—the indistinctly-seen craft, of all forms and all sizes, hovering around, and making their way in ghostlike silence, or warning each other of their approach by cries, that, heard from afar, have something doleful in their note—the solemn shadows cast by the bridges—the deeper gloom of the echoing arches—the lights glimmering from the banks—the red reflection thrown upon the waves by a fire kindled on some stationary barge—the tall and fantastic shapes of the houses, as discerned through the obscurity;—these, and other sights and sounds of the same character, give a sombre colour to the thoughts of one who may choose to indulge in meditation at such a time and in such a place. But the besetting evil of the place, and that which drew down the severest censures of the writers above-mentioned, was that this spot,—which of all others should have been most free from such intrusion—was made a public exhibition. “It isn’t fair. “I will believe you. “It was not necessary,” Sir John answered stiffly.
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