‘Ah, the tragedy. Her secret thoughts made some hasty, half-hearted excursions into the possibility of telling the thing in romantic tones—Ramage was as a black villain, she as a white, fantastically white, maiden. ‘As Madame Valade, you will be an émigré, not a nun. ” She was frightened—his anger always did frighten her—and in her resolve to conceal her fright she carried a queen-like dignity to what she felt even at the time was a preposterous pitch.
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