The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. The smell that emanated from the opening was abominable. But these fears, like those he had recently experienced, speedily vanished, and he prepared to return to the roof, congratulating himself that owing to the opportune falling of the bricks, he had in all probability escaped serious injury.
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